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Christmas Eve pageants
The Rev. David Frazelle, Associate for Parish Ministry
Why? In the midst of one of the busiest seasons of the year, why
does a tenth grader spend hours of his time over several Sundays in
order to portray the rear end of a camel in the Chapel of the Cross
Christmas pageant? Why, when the in-laws are preparing to visit -
or invade, as the case may be - do so many adults of the parish use
their time and energy to shuttle and orchestrate youth for this
grand event? Why, in the midst of its exuberance, have I met more
people moved to tears by our Christmas pageant than by any other
service?
The Christian impulse towards drama has a long and venerable
history, although its origins were troubled. For the first four
centuries of the Christian era, the Church was unequivocally
hostile towards drama. The pagan plays of the day, although not
events of worship per se, retained a liturgical dimension
and character; hence, to attend such a play constituted an overt
act of paganism. Theatrical productions such as gladiatorial
combats, obscene comedies, and the occasional event involving the
slaughter of a persecuted Christian, did nothing to raise Christian
esteem for the dramatic arts. Tertullian, Cyprian, Chrysostom and
other giants of the early church wrote invectives against dramatic
productions of their era.
After the destruction of the Roman Empire and the demise of
paganism, however, Christians began to use drama to represent
sacred stories. Passion plays about the death and resurrection of
Jesus, to be performed in church, emerged first. By the mid to late
middle ages, Christians were writing comedies, as well, involving
'bad guys' such as Herod or inherently comical figures like
Balaam, who was outsmarted by his own ass (donkey) in Numbers
(Chapter 22). By the 16th Century, plays with strong Christian
themes were commonly performed outside of church buildings and were
accepted as part of mainstream society. T. S. Eliot's Murder
in the Cathedral is one of the finer examples of explicitly
religious drama in the past century.
And so, re-presenting our faith by re-enacting our sacred
stories simply is one of those practices to which Christians are
drawn. Participation in Christian drama, from the stage or from the
pews, strengthens our participation in the life of the parish
family, in the story of Jesus Christ, and in the very life of God.
The Episcopal Youth Community and I invite you to participate in
one of this year's pageants, the details of which are found
below.
December 24, 3:00 p.m. in the
church
This service is particularly inviting for families with young
children. Children will be less hungry; the slightly shorter
service is
typically less crowded; and the baby Jesus will be portrayed by a
real, live baby! This role has not been filled, so call David
Frazelle - 929-2193 - if you plan to give birth before December 24.
Other differences include the reading, rather than the singing, of
scripture readings, and the absence of candles due to more
daylight.
December 24, 5:00 p.m. in the
church
The 5:00 service features the singing of the scripture readings,
hand-held candles, and a bigger crowd. It is a good idea to arrive
early.
Both services include the presentation of unwrapped gifts to the
baby Jesus to be distributed later to needy children. Both services
also include a dancing angel. I look forward to seeing you
there!
Send
items for inclusion in future "Cross Roads."
The deadline is the first Thursday of the preceeding month.
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